I was able to get it altered, and Emily was so helpful in providing a partial refund to cover the alteration costs! Christine’s Masquerade costume has a hint of her ballet past - she wears a soft pink tutu and a corseted, sleeveless bodice. This dress is made of the same blue stripy/floral silk all over the world (apart from some very few versions), and is maybe the most iconic female costume in POTO. By choosing any of the listed costumes of Christine Daae, you can bring the romantic story of the Phantom of the Opera to life.

The actual bodice is made of a ribbed cream/metallic fabric, and has either fan decorations or glittering appliqués - or both - over the bust. and transforms onstage (shoutout to amazing cast member Satomi Hofmann, who plays the Wardrobe Mistress) to an opera diva, and then to what I think is her most iconic look (ignore the crown in this picture).As you may know, Ewoldt made history as the first Asian-American actress to star as fierce, young opera diva Christine Daae in the long-running Andrew Lloyd Webber musical. In the movie, between Raoul's invitation and the Phantom's appearance, Christine changes into this costume.

Compare Christine's costumes in the musical and the 2004 movie, and decide which outfits are better.I love the movie costumes the best cuz they scream "creative" and they also catch the idea of the true story. Below, she brings BroadwayBox behind the scenes at the Majestic Theatre for an in-depth look at each of her fabulous and iconic Maria Bjornson costumes. It is fabricated in contrasting shades of blue cotton, with the body of the dress being light blue then trimmed in darker shades of blue. The bodice is fitted and can be accented by a wide brimmed feathered hat or a small pill hat with a veil.

The show does this by removing the rope skirt and switching it for a larger, grander skirt that has heavily patterned fabric, heavy embroidery, and gold tassels.The decorations on the bodice - the gold collar and the “crotch tiara” are strangely sexual, covering the erotic zones of the girls. I believe designer Maria Bjørnson glanced at the photo photo of Meryl Streep in “The French Lieutenant’s Wife” when designing the cloak.